The bike ride back from the record store in the summer of 1998 was quite possibly one of the most invigorating and influential of my life. Middle school was full of musical discovery in the form of the “Compilation” section of Music Box, your typical privately owned record store with the bare minimum of obscure selections. On this fateful day in July, I would slip a CD into my well used and slightly damaged Discman, throw on my backpack and jump on my bike. The CD spooled up and my headphones filled with a strummed bass line followed by the booming reverb of the drums. The song skipped, stuttered and exploded into a fast paced ballad about an aging Punk-Rock band longing for the days of basement shows, friends, cheap meals and beds disguised as hard-wood floors. I was 14 and knew I could experience what they longed to re-live, and with that knowledge I rode my bike home, sat down at my father’s drum set and began my suburban punk-rock adventure.
This music was new and fresh to me, a surefire way to rebel against my parents by using a weapon they couldn’t understand. This music was fast, equally serious and satirical while toeing the line between harmony and hollering. I had spent years previously listening to music my father had played with his band, listened to in his car and in the house on his stereo. This new music was obscure, something I would have to painstakingly explain to my father, something he might never understand…so I thought.
Summer passed and 8th grade started. I came home after a long after school bike ride spent loitering downtown searching for benches to grind and friends who might have a better idea on how to occupy idle time. I walked in to the familiar sight of my father sitting on the couch in his postal uniform after a long day at work. In a bag next to his foot rested two records against the leg of the coffee table. Through the thin plastic I could see the familiar image of Paul Simonon smashing his bass guitar in front of a stack of amplifiers. My father proceeded to pull out both records. One was London Calling by The Clash and the other was Elvis Presley’s first LP. Both layouts were exactly the same, pink and green letters lining the left and bottom of the frame with an image of the artist in the center. My father used this to explain the term “influence” Basically, music is just a fast paced evolution which is influenced heavily, if not entirely on ideas which have already been previously conceived. I still spent my high school years heavily into Punk and Hardcore, but my father made sure I knew there were only two kinds of music, good music and bad music.
Alternately, here is a little fun fact. One of my father’s favorite musicians was the drummer for The Clash. He also thought “Topper Headon” was a badass name.